Forget Bullet time
The Matrix may be the first to bring it to the big screen using some crazy setup, Thomas Scott Stanton did it with his RED One MX at 48fps for National Geographic. Check out the video (12 MB).
The Matrix may be the first to bring it to the big screen using some crazy setup, Thomas Scott Stanton did it with his RED One MX at 48fps for National Geographic. Check out the video (12 MB).
I came across this posting by Mark Toia on REDUSER.net. He demonstrated using stock software the power of RED RAW. Check out the video (7 MB).
Michael Cioni of Lightiron Digital gives a candid look at the digital production process. What makes the article interesting is that the post production team is involved before the production starts.